(On Seeing a Painting by Bradley Walker Tomlin)
Always the smallest act
possible
in this time of acts
larger than life, a gesture
toward the thing that passes
almost unseen. A small wind
disturbing a bonfire, for example,
which I found the other day
by accident
on a museum wall. Almost nothing
is there: a few wisps
of white
thrown idly against the pure black
background, no more
than a small gesture
trying to be nothing
more than itself. And yet
it is not here
and to my eyes will never become
a question
of trying to simplify
the world, but a way of looking for a place
to enter the world, a way of being
present
among the things
that do not want us--but which we need
to the same measure that we need
ourselves. Only a moment before
the beautiful
woman
who stood beside me
had been saying how much she wanted
a child
and how time was beginning
to run out on her. We said
we must each write a poem
using the words "a small
wind
disturbing a bonfire." Since that time
nothing
has meant more than the small
act
present in these words, the act
of trying to speak
words
that mean almost nothing. To the very end
I want to be equal
to whatever it is
my eye will bring me, as if
I might finally see myself
let go
in the nearly invisible
things
that carry us along with ourselves and all
the unborn children
into the world.
--Paul Auster
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