My ex-lover received it at seventeen
skiing the steep slope at Wintergreen called
Devil’s Elbow. The early snowmelt along the Blue
Ridge had slipped the white limb of a birch
through the crust, jutted that camouflaged tip
into the center of the trail. He hit it, full speed,
flipped over his ski poles. One of them split
his vocal cords with its aluminum point. He sprawled
in the snow, his pink throat skewered like Saint
Sebastian or the raw quiver of his Greek father’s
peppered lamb kebobs. The doctors didn’t let him speak
for a year and when he finally tried his choirboy
voice had gravel in it. His tenor had a bloody
birch limb in it, had a knife in it, had a whole lower
octave clotted in it, had a wound and a wound’s
cracked whisper in it. The first time I heard him
sing in his blues band, five years after the accident,
I told him his smoked rasp sounded
exactly like Tom Waits. Like my grandfather
sixty years since the iron lung. I couldn’t believe
a growl like that crawled up from the lips
of a former Catholic schoolboy. But as he shut off
the halogen overhead—leaving only the ultraviolet
of his bedside’s black light—he stroked my cheek,
crooned, Goodnight, Irene. His teeth and his throat’s
three-inch scar glowed a green neon.
--Anna Journey
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