Why this?

The occasional poem of my own and a generous helping of work by others that I find inspiring. Site is named for a beloved book by one of my favorite writers, Italo Calvino, whose fanciful work lights--and delights--my soul.

Sunday, February 1, 2015

Cascades 501

The man sitting behind me
is telling the man sitting next to him about his heart bypass.

Outside the train’s window, the landscapes smear by—
the earnest, haphazard distillations of America. The backyards

and back sides of houses. The back lots of shops
and factories. The undersides of bridges. And then the
        stretches

of actual land, which is not so much land
but the kinds of water courses and greenery that register

like luck in the mind. Dense walls of trees.
Punky little woods. The living continually out-growing

the fallen and decaying. The vines and ivies taking over
everything, proving that the force of disorder is also the force

of plenty. Then the eye dilating to the sudden
clearings—fields, meadows. The bogs that must have been left

by retreating glaciers. The creeks, the algae broth
of ponds. Then the broad silver of rivers, shiny

as turnstiles. Attrition, dispersal, growth—a system unfastened
to story, as though the green sight itself

was beyond story, was peacefully beyond any clear meaning.
But why the gust of alertness that comes

to me every time any indication of the human
passes into sight—like a mirror, like to like, even though I am
        not

the summer backyard with the orange soccer ball resting
there, even though I am not the pick-up truck

parked in the back lot, its two doors opened
wide, and no one around to show whether it is funny

or an emergency that the truck is like that. Each thing looks 
        new
even when it is old and broken down.

They had to open me up—the man is now telling the other
        man.
I wasn’t there to see it, but they opened me up.

--Rick Barot

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