(I like this woman's likening of this poem to an Edward Hopper painting: the "lonely scenery.")
The sun that silvers all the buildings here
Has slid behind a cloud, and left the once bright air
Something less than blue. Yet everything is clear.
Across the road, some dead plants dangle down from rooms
Unoccupied for months, two empty streets converge
On a central square, and on a nearby hill some tombs,
Half buried in a drift of wild grass, appear to merge
With houses at the edge of town. A breeze
Stirs up some dust, turns up a page or two, then dies.
All the boulevards are lined with leafless trees.
There are no dogs nosing around, no birds, no buzzing flies.
Dust gathers everywhere--on stools and bottles in the bars,
On shelves and racks of clothing in department stores,
On the blistered dashboards of abandoned cars.
Within the church, whose massive, rotting doors
Stay open, it is cool, so if a visitor should wander in
He could easily relax, kneel and pray,
Or watch the dirty light pour through the baldachin,
Or think about the heat outside that does not go away,
Which might be why there are no people there--who knows--
Or about the dragon that he saw when he arrived,
Curled up before its cave in saurian repose,
And about how good it is to be survived.
--Mark Strand
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