To have
even a
lotto chance
of getting
somewhere
within yourself
you don’t quite know
but feel
To cling
to the periphery
through the constant
gyroscopic
re-drawing of its
provinces
To make
what Makers make
you must set aside
certainty
Leave it
a lumpy backpack
by the ticket window
at the station
Let the gentleman
in pleated khakis
pressed for time
claim it
The certainty
not the poem.
--Leslie McGrath
Why this?
The occasional piece of my own and a generous helping of others' creations I find inspiring. Site is named for a beloved book by one of my favorite writers, Italo Calvino, whose fanciful work lights--and delights--my soul.
Thursday, August 25, 2016
Saturday, August 20, 2016
Beige Wall Telephone, 1960s
To you who have never known what it is to be tethered
to the family's one phone by a corkscrew cord
filthied by idle fingers twisting it as we talked
and stretched by our efforts to sneak with the handset
away from the dining room where that cheap plastic box
clung to the wall, my sister and I desperate
to hide behind curtains or in a nearby room
and mumble dumb endearments to whichever lucky soul
we had a crush on that week: I won't say how wonderful
it felt to hear a call's unexpected tremolo
and rush to answer that sudden summons,
lifting the receiver's heavy curve out of its metal hook,
or to dial seven numbers on a whirring analog wheel
and hear a distant ringing pulse in the ear,
knowing that actual bells trilled as a body
moved through space to deliver its hopeful Hello?—
no, it was awful, that phone, intended for businesses,
brisk standing exchanges of information,
not a home where its too-public anchoring
left adolescent siblings open to each other's mockery
and the cocked ears of nosy parents straining to decode
one side of conversations as we curled closer
to the wall and whispered words downward
into the darkness that our huddling made, not pacing
like a barking dog chained to a stake in the backyard
but trying our best to vanish, descending
slow as a diver sipping words like oxygen
from a humming line whose other end kept us breathing.
--Michael McPhee
to the family's one phone by a corkscrew cord
filthied by idle fingers twisting it as we talked
and stretched by our efforts to sneak with the handset
away from the dining room where that cheap plastic box
clung to the wall, my sister and I desperate
to hide behind curtains or in a nearby room
and mumble dumb endearments to whichever lucky soul
we had a crush on that week: I won't say how wonderful
it felt to hear a call's unexpected tremolo
and rush to answer that sudden summons,
lifting the receiver's heavy curve out of its metal hook,
or to dial seven numbers on a whirring analog wheel
and hear a distant ringing pulse in the ear,
knowing that actual bells trilled as a body
moved through space to deliver its hopeful Hello?—
no, it was awful, that phone, intended for businesses,
brisk standing exchanges of information,
not a home where its too-public anchoring
left adolescent siblings open to each other's mockery
and the cocked ears of nosy parents straining to decode
one side of conversations as we curled closer
to the wall and whispered words downward
into the darkness that our huddling made, not pacing
like a barking dog chained to a stake in the backyard
but trying our best to vanish, descending
slow as a diver sipping words like oxygen
from a humming line whose other end kept us breathing.
--Michael McPhee
Friday, August 12, 2016
Tree Poem
It wasn’t that he wanted to take his life.
He wanted to take his death
into his own hands. There was
a difference, he knew, though he couldn’t
articulate it. More speculative than suicidal,
more curious than depressed,
more interested than not,
he didn’t want to talk to a therapist.
He wanted to talk to Walt Whitman.
He wanted to talk to his best friend from
kindergarten, who’d moved away
on the cusp of first grade, and he never
saw him again. He wanted to climb a tree
and sit up there all alone in the top branches
watching it absorb the carbon dioxide.
He had a bit of the tree in him himself.
He had similar aspirations
and spent much of his time in the branching
ramifications in his head. But because his children
would never live it down, he climbed
down from the tree in the car in the garage
every time, and walked back into his life with a few
leaves and twigs still sticking to his head.
--Paul Hostovsky
He wanted to take his death
into his own hands. There was
a difference, he knew, though he couldn’t
articulate it. More speculative than suicidal,
more curious than depressed,
more interested than not,
he didn’t want to talk to a therapist.
He wanted to talk to Walt Whitman.
He wanted to talk to his best friend from
kindergarten, who’d moved away
on the cusp of first grade, and he never
saw him again. He wanted to climb a tree
and sit up there all alone in the top branches
watching it absorb the carbon dioxide.
He had a bit of the tree in him himself.
He had similar aspirations
and spent much of his time in the branching
ramifications in his head. But because his children
would never live it down, he climbed
down from the tree in the car in the garage
every time, and walked back into his life with a few
leaves and twigs still sticking to his head.
--Paul Hostovsky
Sunday, August 7, 2016
Cake
Look, you
want it
you devour it
and then, then
good as it was
you realize
it wasn’t
what you
exactly
wanted
what you
wanted
exactly was
wanting
--Noah Eli Gordon
want it
you devour it
and then, then
good as it was
you realize
it wasn’t
what you
exactly
wanted
what you
wanted
exactly was
wanting
--Noah Eli Gordon
When I Read the Book
When I read the book, the biography famous,
And is this then (said I) what the author calls a man’s life?
And so will some one when I am dead and gone write my life?
(As if any man really knew aught my life,
Why even I myself I often think know little or nothing of my real
life, Only a few hints, a few diffused faint clews and indirections
I seek for my own use to trace out here.)
--Walt Whitman
And is this then (said I) what the author calls a man’s life?
And so will some one when I am dead and gone write my life?
(As if any man really knew aught my life,
Why even I myself I often think know little or nothing of my real
life, Only a few hints, a few diffused faint clews and indirections
I seek for my own use to trace out here.)
--Walt Whitman
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