No Ideas but in Things

The Importance of First Objects: a good read if you can get your hands on it.

Compost

There is magic in decay.
A dance to be done
For the rotting, the maggot strewn
Piles of flesh which pile
Upon the dung-ridden earth
And the damp that gathers
And rusts and defiles.
There is a bit of this
In even the most zoetic soul — 
The dancing child’s arms
Flailing to an old ska song
Conduct the day-old flies
Away to whatever rank
Native is closest. Just today
I was walking along the river
With my daughter in my backpack
And I opened my email
On my phone and Duffie
Had sent me a poem
Called “Compost.” I read it
To my little girl and started
To explain before I was three
Words in Selma started
Yelling, Daddy, Daddy, snake!
In the path was a snake,
Belly up and still nerve-twitching
The ghost of some passing
Bicycle or horse. Pretty, Selma said.
Yes, I said. And underneath my yes
Another yes, the yes to my body,
Just beginning to show signs
Of slack, and another, my grasping
In the dark for affirming flesh
That in turn says yes, yes
Let’s rot together but not until
We’ve drained what sap
Is left in these trees.
And I wake in the morning
And think of the coroner
Calling to ask what color
My father’s eyes were,
And I asked, Why? Why can’t
You just look — and the coroner,
Matter-of-factly says, Decay.
Do you want some eggs, my love?
I have a new way of preparing them.
And look, look outside, I think this weather
Has the chance of holding.

--Dan Chelotti

My Brook

Earth holds no sweeter secret anywhere
Than this my brook, that lisps along the green
Of mossy channels, where slim birch trees lean
Like tall pale ladies, whose delicious hair,
Lures and invites the kiss of wanton air.
The smooth soft grasses, delicate between
The rougher stalks, by waifs alone are seen,
Shy things that live in sweet seclusion there.

And is it still the same, and do the eyes
Of every silver ripple meet the trees
That bend above like guarding emerald skies?
I turn, who read the city’s beggared book,
And hear across the moan of many seas
The whisper and the laughter of my brook.

--Helen Hay Whitney

My Father's Hats

   Sunday mornings I would reach
high into his dark closet while standing
   on a chair and tiptoeing reach
higher, touching, sometimes fumbling
   the soft crowns and imagine
I was in a forest, wind hymning
   through pines, where the musky scent
of rain clinging to damp earth was
   his scent I loved, lingering on
bands, leather, and on the inner silk
   crowns where I would smell his
hair and almost think I was being
   held, or climbing a tree, touching
the yellow fruit, leaves whose scent
   was that of a clove in the godsome
air, as now, thinking of his fabulous
   sleep, I stand on this canyon floor
and watch light slowly close
   on water I’m not sure is there.

--Mark Irwin

From the Telephone

Out of the dark cup
Your voice broke like a flower.
It trembled, swaying on its taut stem.
The caress in its touch
Made my eyes close.

--Florence Ripley Mastin

Recognitions

When my son was a few weeks old,
replicas of his yawning face appeared
suddenly on drowsy passersby:

middle-aged man’s gape that split his beard,
old woman on a bus, a little girl—
all told a story that I recognized.

Now he is fifteen.
As my students shuffle in the door
of the classroom, any of the boys

could easily be him—
foot-dragging, also swaggering a little,
braving the perils of a public space

by moving in a wary little troop.
But the same sleepy eyes, the same soft face.
We recognize the people whom we love,

or love what we respond to as our own,
trusting that one day someone
will look at us with recognition.

--Rachel Hadas